Broadway Legacy, 1930-1947:
Girl Crazy to Brigadoon
A Celebration of the American
Musical Stage
Celebrate a century of one of America’s
greatest contributions to the world of art - the Broadway musical - through
word and song with Michael Ballam.
Possessing a PhD in Music History
and Literature, Dr. Ballam has performed on the major stages of America and
Europe in a vast repertoire that spans every form of the musical stage, from
Broadway shows such as “Carousel,” “Oliver,” “West
Side Story,” “Man of La Mancha,” “Stop the World,”
and “Paint Your Wagon” through operettas including “Merry Widow,”
“Mikado,” “Pirates of Penzance,” and “Die Fledermaus,”
to grand opera such as “Carmen,” “La Boheme,” “La Traviata,”
and “Madame Butterfly.”
Survey the development of one of
the most fertile fields of art, planted and cultivated on American soil, through
the passionate perspective of this consummate performing historian.
Includes excerpts from the following:
Tape Three- Girl Crazy
to Babes in Arms (1930-1937)
Lyricists/Composers: Cole
Porter, George Gershwin, Oscar Hammerstein, Jerome Kern, Irving Berlin, Kurt
Weil, Rodgers and Hart
Shows: “Girl Crazy,”
“Bandwagon,” “Gay Divorcée,” “Roberta,”
“Anything Goes,” “Porgy and Bess,” “Jumbo,” “Babes
in Arms”
Songs: Embraceable You,
I Got Rhythm, The Song Is You, I’ve Told Ev’ry Little Star, Night and Day, Smoke
Gets in Your Eyes, Summertime, Begin the Beguine, My Funny Valentine, September
Song
Tape Four - The Boys
from Syracuse to Brigadoon (1938-1947)
Lyricists/Composers: Cole
Porter, Lorenz Hart, Oscar Hammerstein, Richard Rodgers, Kurt Weill, Leonard
Bernstein, Harold Arlen, Irving Berlin, Alan Jay Lerner, Frederick Loewe, Wright
and Forrest
Shows: “Pal Joey,”
“Oklahoma,” “Song of Norway,” “On the Town,” “Carousel,”
“Annie Get Your Gun,” “Brigadoon”
Songs: My Heart Belongs
to Daddy, Bewitched, Oh What a Beautiful Morning, People Will Say We’re in Love,
Strange Music, New York, New York, If I Loved You, Come Rain or Come Shine,
There’s No Business Like Show Business, Come to Me Bend to Me, How Are Things
in Glocca Morra?